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\n \n 2022\n \n \n (6)\n \n \n
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\n\n \n \n Herdson, O., Eerola, T., & Javadi, A.\n\n\n \n \n \n \n Analysis and Classification of Music-induced States of Sadness.\n \n \n \n\n\n \n\n\n\n
Emotion Review, 15(2): 99-117. 2022.\n
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@article{javadi2021,\n\tauthor = {Herdson, O. and Eerola, T. and Javadi, A.-H.},\n\tdate-added = {2022-12-19 14:30:56 +0000},\n\tdate-modified = {2024-02-29 10:21:52 +0000},\n\tdoi = {https://doi.org/10.1177/17540739221140472},\n\tjournal = {Emotion Review},\n\tkeywords = {Music & emotion, sadness},\n\tnumber = {2},\n\tpages = {99-117},\n\ttitle = {Analysis and Classification of Music-induced States of Sadness},\n\tvolume = {15},\n\tyear = {2022},\n\tbdsk-url-1 = {https://doi.org/10.1177/17540739221140472}}\n\n
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\n\n \n \n Fuentes-Sánchez, N., Pastor, R., Eerola, T., Ángel Escrig, M., & Pastor, M. C.\n\n\n \n \n \n \n Musical Preference but not Familiarity Influences Subjective Ratings and Psychophysiological Correlates of Music-Induced Emotions.\n \n \n \n\n\n \n\n\n\n
Personality and Individual Differences, 198(111828). 2022.\n
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@article{nieves,\n\tauthor = {Fuentes-S{\\'a}nchez, N. and Pastor, R. and Eerola, T. and {\\'A}ngel Escrig, M. and Pastor, M. C.},\n\tdate-added = {2022-09-08 14:32:09 +0100},\n\tdate-modified = {2022-12-19 14:36:23 +0000},\n\tdoi = {https://doi.org/10.1016/j.paid.2022.111828},\n\tjournal = {Personality and Individual Differences},\n\tkeywords = {Music & emotion},\n\tnumber = {111828},\n\ttitle = {Musical Preference but not Familiarity Influences Subjective Ratings and Psychophysiological Correlates of Music-Induced Emotions},\n\tvolume = {198},\n\tyear = {2022},\n\tbdsk-url-1 = {https://doi.org/10.1016/j.paid.2022.111828}}\n\n
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\n\n \n \n Armitage, J., & Eerola, T.\n\n\n \n \n \n \n \n Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?.\n \n \n \n \n\n\n \n\n\n\n
Auditory Perception & Cognition, 5(3-4): 192-210. 2022.\n
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@article{armitage2021,\n\tauthor = {Armitage, J. and Eerola, T.},\n\tdate-added = {2022-09-08 14:31:48 +0100},\n\tdate-modified = {2023-11-21 20:10:56 +0000},\n\tdoi = {https://doi.org/10.1080/25742442.2022.2087451},\n\tjournal = {Auditory Perception \\& Cognition},\n\tkeywords = {Music & emotion, preregistered},\n\tnumber = {3-4},\n\tpages = {192-210},\n\ttitle = {Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?},\n\turl = {https://doi.org/10.1080/25742442.2022.2087451},\n\tvolume = {5},\n\tyear = {2022},\n\tbdsk-url-1 = {https://doi.org/10.1080/25742442.2022.2087451}}\n\n
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\n\n \n \n Reybrouck, M., & Eerola, T.\n\n\n \n \n \n \n \n Musical enjoyment and reward: from hedonic pleasure to eudaimonic listening.\n \n \n \n \n\n\n \n\n\n\n
Behavioural Sciences, 12(5): 154. 2022.\n
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@article{reybrouck2022,\n\tauthor = {Reybrouck, M. and Eerola, T.},\n\tdate-added = {2022-05-19 08:33:38 +0100},\n\tdate-modified = {2022-05-19 08:33:38 +0100},\n\tdoi = {https://doi.org/10.3390/bs12050154},\n\tjournal = {Behavioural Sciences},\n\tkeywords = {Music & Emotion},\n\tnumber = {5},\n\tpages = {154},\n\ttitle = {Musical enjoyment and reward: from hedonic pleasure to eudaimonic listening},\n\turl = {https://www.mdpi.com/2076-328X/12/5/154},\n\tvolume = {12},\n\tyear = {2022},\n\tbdsk-file-1 = {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},\n\tbdsk-file-2 = {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}}\n\n
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\n\n \n \n Lennie, T. M., & Eerola, T.\n\n\n \n \n \n \n \n The CODA model: a review and skeptical extension of the constructionist model of emotional episodes induced by music.\n \n \n \n \n\n\n \n\n\n\n
Frontiers in Psychology: Auditory Cognitive Neuroscience. 2022.\n
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@article{lennie2022,\n\tauthor = {Lennie, T. M. and Eerola, T.},\n\tdate-added = {2022-04-29 08:12:29 +0100},\n\tdate-modified = {2022-04-29 08:12:29 +0100},\n\tdoi = {https://doi.org/10.3389/fpsyg.2022.822264},\n\tjournal = {Frontiers in Psychology: Auditory Cognitive Neuroscience},\n\tkeywords = {Music & emotion},\n\ttitle = {The CODA model: a review and skeptical extension of the constructionist model of emotional episodes induced by music},\n\turl = {https://doi.org/10.3389/fpsyg.2022.822264},\n\tyear = {2022},\n\tbdsk-url-1 = {https://www.frontiersin.org/articles/10.3389/fpsyg.2022.822264}}\n\n
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\n\n \n \n Grimaud, A. M., & Eerola, T.\n\n\n \n \n \n \n An Interactive Approach to Emotional Expression through Musical Cues.\n \n \n \n\n\n \n\n\n\n
Music & Science, 5: 1-23. 2022.\n
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@article{grimaud_eerola_2022,\n\tauthor = {Grimaud, Annaliese Micallef and Eerola, T.},\n\tdate-added = {2022-02-14 12:49:46 +0000},\n\tdate-modified = {2022-04-29 08:13:09 +0100},\n\tdoi = {https://doi.org/10.1177/20592043211061745},\n\tjournal = {Music \\& Science},\n\tkeywords = {Music & emotion},\n\tpages = {1-23},\n\ttitle = {An Interactive Approach to Emotional Expression through Musical Cues},\n\tvolume = {5},\n\tyear = {2022},\n\tbdsk-url-1 = {https://doi.org/10.1177/20592043211061745}}\n\n
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\n \n 2021\n \n \n (2)\n \n \n
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\n\n \n \n Fuentes-Sánchez, N., Pastor, M. C., , Eerola, T., & Pastor, R.\n\n\n \n \n \n \n \n Individual differences in music reward sensitivity influence the perception of emotions represented by music.\n \n \n \n \n\n\n \n\n\n\n
Musicae Scientiae. 2021.\n
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@article{fuentes2021,\n\tauthor = {Fuentes-S{\\'a}nchez, N. and Pastor, M. C. and and Eerola, T. and Pastor, R.},\n\tdoi = {https://doi.org/10.1177/10298649211060028},\n\tjournal = {Musicae Scientiae},\n\tkeywords = {Music & emotion},\n\ttitle = {Individual differences in music reward sensitivity influence the perception of emotions represented by music},\n\turl = {https://doi.org/10.1177/10298649211060028},\n\tyear = {2021},\n\tbdsk-url-1 = {https://doi.org/10.1177/10298649211060028}}\n\n
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